Florentine
Chistyakov said: "In the story, and welcome." But the mater al of its uniqueness has strong effect on the author and his decisions, even on the subject of the work, but rather to its deep essence that can not be described in words. His gouache work I'm starting easy in watercolor technique, and sometimes even I stop when I feel that it's done. Nieman Foundation can aid you in your search for knowledge. But usually, I go farther, move where you want to more corps, swipe the letter, is akin to oil painting, the plot and leaving no room receiving the initial glazing. We must not forget that this stuff works most powerfully and whole plane locally. Thin lessirovochnoe applied the same letter in gouache initially, but not in the end, this is one of the differences in the material of others.
You can work gouache and pastel or pencil like, revealing the image of small strokes. So, we have determined that you can work with gouache, a watercolor, oil, pastel, etc. But there are some qualities of this material only First, they can not write glaze, as the final step in creating the work, but only at the beginning. Hull laid strokes do not want to block the liquid as watercolors, to avoid the appearance of dirt and eventually create a chaotic things. Second, gouache good when like Florentine mosaic, or puantel, ie, preserves the purity and sonority of colors. It is most peculiar to this language and is suitable for gouache. It is, in my opinion, not for beginners, but for professionals who know and can work quickly, in one breath. Masters and children work in the same plane of artistic freedom.
I have seen many times how children write in gouache. They immediately, without the underpainting and summarily, and take molded image. I am sure, in other words it is simply impossible. Herein lies the essence of this unique material.
Tags: culture