Patriotic Visual Poetry
And if we introduce some texts from this special name, it speaks only of the predominant role of the visual components in them, that these poems are likely to eyes than to vote. At the national visual Poetry – a rich history: from the age of paramount importance to the shapes of letters – to fundamental rejection of the letters as communicative signs. In this story – three 'host': exposition, complication, and prosperity. Old Russian virshepisatelstvo 30-40s of XVII century. provided, for example, a sample: Monk Evstratii, who wrote a 'snake' Preface to Azbukovnik, just 'took off' line in the ground 'vertical organization' of the text. There were acrostics, Baroque shaped poems Simeon of Polotsk.
A century later – 'interim' splash experiments Derzhavin: I shall behold the dawn, Rays, As sveschami, In the darkness of brilliant, in all delight of the soul resulting. But what? – From the sun eh it only cute glitter? No! – Pyramid – Affairs of good memories. The second attack occurred in the wake of videopoezii avant 1910-1920's. Experiments futurists and constructivists, especially with A. Chicherin headed (Collection 1924 'Mena all') to a large degree prepared, and sometimes anticipated today's widespread development of this trend. Modern update videopoezii indirectly linked to the overall process deideologization culture. Hypertrophy of the forms allowed in their time away from the baroque specific (Catholic) ideology and quickly spread to Europe from the south-west to north-east. The current visual poetry carries the same 'pathos Liberation': like a poem easier to be non-ideological, rather than the traditional verbal text.
Tags: culture, References